• Today’s Prompt: Go to a local café, park, or public place and write a piece inspired by something you see. Get detailed: leave no nuance behind.

    Today’s twist: write an adverb-free post.

    I come from a city of 17 million people with hundreds of cafes and very few public parks. The public parks aren’t worth visiting as they have all kinds of injunctions: ” Do not litter. Do not spit. Do not sit on grass. Do not eat. Do not fly kites. Do not commit nuisance. ” With so many restrictions, I wonder why they have public parks at all! There are more cafes than there are parks but those aren’t really conducive for children and since I am a full time grandmother, I couldn’t manage to squeeze some time in a cafe to follow today’s prompt of going to a local cafe or public park.  However , while baby was napping, I did manage to make a dash to the centre of the city known as Fort, which was home to the original fortified city of colonial times and here I am now in the middle of the street waiting for the car to arrive.

    I have just come down from the tiny room of a third floor office from where a textile designer retails her saris – the traditional Silk with gold woven borders and motifs that she gets woven in the Paithani style – a craft that she has kept alive with her innovative and exclusive styling.

    It is a quarter past three in the afternoon and as usual the roads are throbbing with activity. With the High Court and Stock Exchange nearby, most of the people on the road are the black and white clothed lawyers or tradesmen at the stock exchange scurrying back to their offices after a quick lunch break in one of the many little eateries that abound in the area.

    On one corner of the street  a vendor of cigarettes, perched on a stool in front of a makeshift stall sits amid garlands of gaudy coloured single serving packages of a nasty tobacco mix known as ‘gutka’. There is a smouldering string dangling from the wall near his stall,  and one customer picks it up and puts it to his cigarette, pulling in the air that will set it alight. He drops it once the cigarette is lit and exhales a smoke ring, his face relaxing in satisfaction. At another stall further down the road,  I can see a crowd of people gathered round  the betel nut seller whose mixes wrapped in betel leaf are responsible for the ugly red stains of spit that decorate my city’s walls.

    It’s not yet summer, but the weather is hot, with the sun beating down: perfect for the fruit seller who has a line of people waiting for his fresh fruit salad. Within minutes he makes up a pretty plate with a wedge of bright red watermelon balanced with slices of pineapple and papaya. Sometimes he sprinkles a bit of rock salt to enhance the taste of the fruit. It’s strange how popular these street food stalls

    The Bombay Sandwich sold on the street is unlike any sandwich in the world. Piles of bread slathered with butter wait their turn to be filled with sliced beetroot, cucumber, potato and tomato to make a sumptuous meal. Those whose tastes are more regional go for the ‘idlis and dosas’ or ‘wadas and paos’ Indian fast food that is well loved by all. Despite the restaurants nearby, serving cuisine as varied as Kerala curry to Italian pasta (and even a Starbucks that opened last year) and at price points that match every wallet, many people prefer eating on the streets – taking a break from their seats at work and enjoying a bit of fresh air.

    At the far end of the street, I can see a bit of green, fighting hard to be seen amid the cars parked two abreast . It is the hint of a garden that belongs to St. Thomas’ Cathedral , the first Anglican Church built in Mumbai.  The church is empty now and silent – an oasis of calm and peace in the hustle bustle of the city.

    An old man brusquely asks me to move, making way for him to walk and I almost trip on a hand cart that is carting boxes of stationery that teeter, threatening to fall  as I brush past it. The man scowls and mutters to himself as I apologise.

    I take out the phone and wonder whether or not to call for the driver when I see him flash the lights of the car, announcing his arrival. I slip into the car before the other drivers honk their annoyance and irritation, happy to be in the cool comfort of the car.

  • For an ardent Mumbai lover like me, you may well ask why I seem to be so obsessed with Dubai these days. Well, quite simply because it’s been just a fortnight ago that I visited this city. And I simply fell in love with it. With its unreal  reality where towering skyscrapers not only scraped the sky but swept you off your feet with their audacious dimensions and design. So the first word that came to mind when I thought of M was the MAJLIS GALLERY.

    But Dubai is not all glass and steel as I found during my little ramble through the old part of the city, a once ramshackle area slated for demolition till the Heritage Society stepped in. Al Bastakiya which is now known as the Al Fahidi neighbourhood is home to many an art gallery none more famous than the MAJLIS Gallery .

    Started in 1989 by expatriate British artist Alison Collins who had rented one of the houses in the neighbourhood while she worked as an Interior designer.

    Entering the sand coloured building, one would hardly imagine the magical world inside. Rooms off the central courtyard serve as galleries for various artists of international fame. There are intriguing vases flecked with gold from Australia, bronze trees of life in the courtyard which has a tree with hanging fish as a centre piece.

                          

                       

    Purchasing art may not be everyone’s cup of tea but appreciating it is definitely something that we can all indulge in.

    In the words of Alison herself,

    “Every purchase will be a reminder of the day you bought it. Who you were with, what was happening in your life, the joy of adding it to your growing collection, deciding where to hang or place it, packing it carefully as your life changes only to welcome it as an old friend when you unpack it the other end and hang it with its other friends in a new location. Your art collection is not static, it is an organic part of what you are, as important as any other personal aspect of your life, totally adaptable to your growth and changes of circumstances. Who knows, as long as you follow the nutshell rule you might end up with a real investment tucked within your collection, but could you part with it and what would you replace it with? Now you are a potential art investor, all by trusting your instincts.”

    So even if you can resist the temptation of not buying one of those irresistible art works, do go by the Al Fahidi Historic Neighbourhood and pop into the Majlis Gallery.

    Opening Hours
    Saturday – Thursday : 10am – 6pm
    Friday : Closed

    There are over a 1000 bloggers from all over the world  participating in this challenge. Do pop in and see what the others are writing. It’s amazing  and fascinating to discover how people’s minds work and how the same prompt can inspire different thoughts. 

  • The Gallery

    Day Seven: Give and Take

    Today’s Prompt: Write a post based on the contrast between two things — whether people, objects, emotions, places, or something else.

    The little bell on the door tinkled as it was pushed open. Mani looked up from his desk and saw the young couple enter arm in arm, so close to each other that even a fly wouldn’t be able to fly between them. He wondered what brought them to the gallery. They didn’t really look the type who could afford modern Indian Masters.

    “Oooh just look at that,” cooed the girl, peering at the canvas from her fringe.

    “Not bad,” replied her friend, disengaging himself from her grasp and stepping back to get a clearer look at the picture.

    “Not bad? I should think not. At 150k it should be very, very good.”

    “150 k! That’s a bit much! Frankly, I’m not really into modern art. I’d much rather go for the classics like Ravi Verma. ”

    “Why am I not surprised? You never seem to like the stuff that I do. If I like modern, you like ancient. If I like bold, You like muted. We’re as alike as chalk and cheese. But just in case you didn’t know, Ravi Verma’s aren’t cheap. They can easily  go into millions of dollars even!”

    “Not if you go for the prints. There are lots of them around which are almost as good as the originals. And if you frame it in a nice frame, it will look just as nice as your ‘contemporary Indian artists’,” he said, barely concealing the sneer in his voice.

    “Look here, no need to get so touchy. Just because my mom is into modern art doesn’t mean that it is bad. I mean , just look at this this – Vaikuntham at his best – strong earthy colours.”

    “Oh let’s not reduce everything into a fight. We were having such a nice day, isn’t it?”

    “Hmm, I agree,” she said and went back to nuzzling him while he played with her hair.

    They walked around the gallery a bit, stopping before each painting.

    “I can see why he appeals to you. Modern and Bold. But give me Ravi Verma any day. Who can really resist his women, almost celestial with their typical Indian features  and sensuous looks in dark, zari bordered saris, that come alive with his skilled brush strokes.”

    “Well, Ravi Verma is a Master too. But there’s so much of his art that’s commercialised in calendars that I’d much rather go for an original Vaikuntham than a Verma print. I just love his figures – so striking and colourful.”

    “Indeed he looks great but not on my walls and definitely not at this price!”

    “Of course we can’t afford him. But we can afford to admire him isn’t it?”

    The two left the gallery and Mani went back to his catalogue work.

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