• This evening I went for a stroll down the road mainly to find an umbrella for Wow Dinga. Obviously it was like looking for a needle in a haystack because all umbrellas have miraculously flown off the shelves. Miraculously because last week’s Rakhees are still visible in some shops……But of course I wanted a specific children’s umbrella, one which is not too big and which has rounded edges so that Wow doesn’t poke his eye and more importantly anyone else’s.

    So naturally I came home disappointed but equally surprised to find that Crossword the oh so popular bookstore at Kemps Corner is being down sized and its neighbour is yet another haute couture store with an equally fancy and imposing door :Shyamal & Bhumika join the ranks of stores like Jade, Kimaya and Amara making Peddar Road a destination for high end bridal trousseaux.

    Alas, while Peddar Road is the ideal destination as far as the  target clientele goes, it has no space to park cars while shopping for anything leave alone clothes so it is not really the ideal place to go shopping particularly late in the afternoon when the roads are just choc-a-bloc with cars laden with people in a mad rush to go home!

  • Ramayana retold

    Most of us have grown up listening to the tales from the Ramayana so reading Shubha Vilas’ “Rise of the Sun Prince ”  is like revisiting one’s childhood with all the comfort that nostalgia brings with it.Shubha Vilas’ “Rise of the Sun Prince” takes one back to thenostalgic days of one’s childhood, back to granny’s lap while she retold the stories of the Ramayana. Having grown up on a daily diet of Indian myths and
    legends, there is very little of this book that is new to me but like most childhood knowledge, many of the stories particularly the side ones which arelost in the subconscious are brought to the fore by this latest retelling of the Ramayana. But the book is not merely a regurgitation of old tales but also a renewed look at an old story,  with the numerous footnotes of explanation that are below each page. In actual fact I don’t like this format of reading where one’s attention is diverted and distracted: commentaries that are interpretation of the original should be incorporated in a narrative.

    But that apart, ” The Rise of the Sun Prince”  rekindles one’s childhood knowledge of the many stories that make up the Ramayana : the story of Vishwamitra, Parshuram, Ganga and many other legends that are lost in one’s subconscious.

    King Dashratha, the beloved king of Ayodhya, the country akin
    to Paradise lacked only one thing – an heir. On the advice of his ministers and
    sages, King Dashratha decided to do Ashvamedha Yagna  ( the Horse sacrifice)to gain the Lord’s good
    will and blessing to get a son. However, the sage Rishi Shringi said that the
    horse sacrifice would only ensure the King’s purity to perform the
    Putrakamesti  Yajna ( sacrifice for a
    son). Thus after two successful sacrificial offerings, King Dashratha was given
    a golden pot of sweet rice that was to be divided among his principal queens and King Dashratha fulfilled his desire for male progeny being  blessed not with merely one son but four! On the ninth day of the bright fortnight of Chaitra, Lord Ram was born to Kaushalya, King Dashratha’s first wife who had half the sweet rice. Early next morning, the king’s favourite wife Keikeyi  gave birth to Bharat and later in theafternoon the twins Lakshman and Shatrughna were born to Sumitra who was given ¾
    of the remaining sweet rice.
    The book traces the childhood of Lord Rama or Bala Kanda and is “actually about
    fighting grave battles and overcoming great odds to emerge victorious and become exemplary. It is about swallowing pride to rise to great depths. It isabout surrendering to the Supreme One.It is about moulding imperfections to achieve perfection by following the laws of progressive living. It is aboutrising like the sun to shine brighter than ever” ( p.95).
    When the young princes were just about twelve years old, the sage Vishwamitra came to Ayodhya to ask King Dashratha to send Rama with him to help destroy the demons Maricha and Subahu who were constantly disrupting the rituals of his fire sacrifice. Much against his wishes and after much haggling and haggling, it was only after sage Vasistha intervened that Dashratha agreed to Vishwamitra’s request. Lakshman being Rama’s shadow also followed the sage and the three departed for the sage’s hermitage in the forest.
    Along the way,  through their various experiences,the young Rama and Lakshmana learnt all about  the laws of progressive living  that teach us about sharing, dependence,balance, awareness, trusteeship, discrimination and self control.  Finally, Rama manages to destroy both the demons and  the lads were free to go back home. But attracted by the story of the bow of King Janaka of Mithila, they decided to stop there on their way back. On the way to Mithila Rama brings to life thefrozen to stone statue of Ahalya and thus restores the glory of yet another
    hermitage – that of Gautama Rishi.
    Rama manages to break the famous bow and wins the hand ofthe beauteous princess Sita whom He had unknowingly fallen in love with on His way to the palace. After seeking the permission of His father, the entire court of Ayodhya moves to Mithila for the wedding where  Vishwamitra advices King Janaka to give the hand of his younger daughter in marriage to Lakshman and the daughters of his
    younger brother Kusadhvaja to the other brothers. Thus Maandavi marries Bharat and Srutakriti marries Shatrughna and  the four princes from the Sun dynastymarry the four princesses from the Moon dynasty.
    Re-telling a story that is iconic is difficult and challenging but Shubha Vilas manages to retain the reader’s interest with language that is contemporary and easy to understand. I look forward to the rest of the series which re-introduce the reader to a classic that transcends all ages.

    This review is a part of the biggest Book Review Program for Indian Bloggers. Participate now to get free books!

  • I was in Pune ( a city developed by the Peshwas) over  Independence Day weekend and it seemed only natural to see “Rama Madhav” a love story set in that era.  But Rama Madhav is no ordinary love story – it is a love story of the Peshwa Madhav Rao and his wife Rama.

    The movie begins with Rama playing with her friends in her parents’ home at Solapur where the Royal Palanquin had finally come to bring the child bride to her marital home – the Shaniwar Wada, the grand palace of the Peshwas in Pune. Once at the palace, Rama endears herself to the young Madhavrao whom she had only met at their wedding and  the two soon the establish a strong bond of friendship.

    After the Battle of Panipat which all but wiped out the Maratha’s, things began to fall apart, particularly when the Peshwa Nana Saheb died leaving his son the 16 year old Madhav in charge of the kingdom. But Madhav proved to be an able king and restored the might of the Peshwas despite his Uncle Raghoba’s shenanigans against him. Sadly the young prince is struck by the Royal Disease Tuberculosis which eventually destroys him. His wife Rama follows him on his funeral pyre and goes sati rather than stay behind as his widow, particularly since she was childless.

    Balancing artistic licence with facts is a difficult task but Mrunal Kulkarni who also plays Madhavrao’s mother in the movie does it with skill and dexterity. Ably supported by Alok Rajwade as Madhav Rao, Parna Pethe as Rama, Shruti Marathe as Parvati Kaku and Sonalee Kulkarni as Anandibai, against the backdrop of  the splendour of the Peshwa court with  fine silks and opulent jewelry.  Prasad Oak as Raghobadada is not very convincing despite his fits of rage. Equally disappointing are the battle scenes.

    While purists will find lots to criticise, I would highly recommend this movie for a brief look into the life of the Peshwas.Those who don’t follow Marathi needn’t worry because the sub-titles do justice to the crisp dialogue.

    Verdict  – Must See

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