• Ilkal

    Image of The last of my Ilkal sarisage of
    Can you believe this sari is over 40 years old?

     

    When I was in college I loved wearing my Ilkal sari with its deep earthy colour. Of course at that time I didn’t know it was called Ilkal nor did I know where it came from. I just loved the soft feel of the cotton that clung to me.

    Today I have just one left in my cupboard. Unlike the red and white silk pallu that is commonly found in the Ilkal, this one has plain thick bands .

    The border and pallu are woven separately and attached to the main body of the sari with a loop stitch technique.

    Made in Northern Karnataka, the Ilkal saris perfectly complement our skin tones with their strong, bold colours.

    Unfortunately I don’t have any left in my cupboard and will have to search the net for illustrations.

    Ikkat

    Ikkats which are found in far reaching places like Indonesia, South America and even Spain, have their origins in the Cave Temples of Ajanta! I found out all these interesting facts while researching these fabrics.

    Here the warp and weft threads are dyed in beautiful colours before weaving.The pattern that emerges is a subtle mingling of pastel shades and bright contrasting colours.

    IKKAT fabrics are ideal for curtains, Upholstery and cushion

    I also found this You Tube video uploaded by Sandeep Sangaru that best explains and illustrates the tradition of Ikkat from Gujerat. These saris are undoubtedly time consuming and expensive but believe you me, they are totally worth it.

    [Tweet “Ikkat is a process of resist dyeing the yarn before weaving in order to make an intricately formed pattern. “]

    Ikkat from Odisha and Telengana

    The other Ikkats are from Odisha and Telengana. The Ikkats from Odisha and Telengana are made from cotton as well as silk fibres. They are also made Ikkat from Odisha is slightly different. These are normally made from pure cotton.

    Image for Ikkat

    Image for Ikkat from Sambalpur Odisha

    And finally the Ikkat from Telanga which is also known as Pochampally, the town from which it originates.

    Image for Ikkat from Telengana

    Aren’t these weaves simply stunning? 

    I hope you are enjoying this brief introduction to our textile traditions. It may seem that all that we weave is worn as a sari but of course that’s not true. Sadly, the sari itself is slowly being moved to the back of our wardrobes and only worn during special occasions…….

    Disclaimer : I am neither a textile manufacturer nor a historian . I am just passionate about textiles and fabrics. I have gathered all my information from the Internet. Please excuse any errors and omissions.

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  • Handloom for freedom

    Every village shall plant and harvest its own raw-materials for yarn, every woman and man shall engage in spinning and every village shall weave whatever is needed for its own use.

    ~ Ideology of Khadi

    Image for Handloom - Fabric of Freedom

    In the ancient world, India was known for her fine handloom fabrics and weaves. Even today, our handwoven textiles are much sought after all over the world. But in modern times, handloom is inextricably woven with our freedom movement. The word HANDLOOM is associated with khadi or khaddar, the rough hewn fabric woven  out of hand-spun cotton.

    Our ancient skill and craft was virtually put to death during the British Raj .  Indian cotton was re-imported back to India and sold as cloth. Indian handwoven textiles found it hard to compete with the sheer volume and output of machine made fabric. Gandhiji thought to bring about an economic revolution of sorts by taking up the wooden spinning wheel and re-introducing this village craft to every Indian.

    On the banks of the Sabarmati, at his ashram that he established in 1915,  Mahatma Gandhi first  took up the charkha or the humble spinning wheel. This soon became the symbol of India’s freedom.  For him it was a way of asserting economic freedom, a movement that would free Indians from buying British made cloth that was spun out of our very own cotton! And in 1918, he  started the Khadi movement  as relief programme for the impverished rural masses. Spinning and weaving evolved into  an ideology for self-reliance and self-government.

    Spinning yarn dignified manual labour . It also established a certain bond between  the rich and the poor who joined the khadi movement.

    Thus began the khadi crusade that spun metres and metres of yarn woven into hand woven cloth. Khadi soon became fashionable and was embraced by  Indian freedom fighters. Khadi eventually morphed from a mere piece of cloth to a way of life

    Resurgence of Handloom Industry

    Once again, handloom  found its place in our textile manufacture and today it is a firmly entrenched cottage industry.  Millions of looms across the length and breadth of this country are producing textiles made of natural fibres like cotton, silk and wool. The fabrics range from the  rough and sturdy  to those that are fine and delicate. Handloom comes in yardage of different textures and thickness using blended yarn too.

    We have Madras checks, fine silk from Kanjeevaram and Assam, bright tie and dye from Rajasthan, brocades from Benares, ikkats from Gujerat, Andhra Pradesh and Odisha. In fact we have handwoven fabrics from every part of India that is used in garments, home furnishings, household linen and curtain tapestry too.

    With such a range of uses and a variety to choose from, it is no wonder that Indian Handloom is a much sought after commodity still!

    Disclaimer : I am neither a textile manufacturer nor a historian . I am just passionate about textiles and fabrics. I have gathered all my information from the Internet. Please excuse any errors and omissions.

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  • Image of Parsi Gara

    Gorgeous Gara

    The Gara is actually a well kept secret  normally found in an old Parsi cupboard. Carefully wrapped in muslin, it is a much cherished sari  passed down reverentially from generation to generation.

    Normally, this richly embroidered sari is made of  chamois silk, with distinctly Chinese motifs worked in satin stitch . This is because several Parsi merchants who did trade with China brought home yards of this fabulous fabric for their women folk to wear. This soon became a coveted item and for many years was the sari to wear for special occasions. Its soft silk fabric and stunning embroidery has to be really seen and felt …..

    Gradually these saris were made in India, painstakingly hand embroidered. Today many of these are no longer hand embroidered. Even the fabric has given way to crepe silk or even a synthetic nylon. There are a few revivalists like Ashdeen and  Naju Daver who still make them to order . Obviously these  are expensive but for some Parsis they aren’t as  authentic enough as the ones handed down to them by Mummy or Aunty Freny!

    Graceful Georgette

    Image for a graceful georgette

    Many of the saris that date from my wedding have sadly given way. One  sari that still remains is a deep blue Mysore georgette. The sari has a finely worked gold border and gold booties in the main part. Apart from it’s rich appearance, I love this sari for its fall and drape . Even now it clings at the right places and flatters my not so flattering silhouette!

    Georgette is another of those modern fabrics that has found its place in the Indian Textile Tradition. It is versatile and lends itself to many traditions . While Mysore georgettes are famous for their fine gold work, the brilliant hued georgette from Rajasthan are famous for their bandhani work. Even Chikankaris from Lucknow like this fabric to showcase their fine embroidery. This is largely because georgette is a sturdier fabric than its country cousin the chiffon.

    Is it any wonder then that this fabric has become part of the Indian Textile Tradition?

    Disclaimer : I am neither a textile manufacturer nor a historian . I am just passionate about textiles and fabrics. I have gathered all my information from the Internet. Please excuse any errors and omissions.

    Tomorrow is a day of rest and I can’t say I’m not happy.

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